Ulead PYRO1394DV Especificaciones Pagina 17

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APPLE
FINAL CUT PRO 4
VIDEO & AUDIO EDITING
216
EQUIPMENT LEASING AVAILABLE
PHOTO - VIDEO - PRO AUDIO
Sophisticated Editing, Compositing and Effects
Final Cut Pro 4 has sophisticated editing, compositing, effects, and audio tools that allow professional editors to meet
demanding post-production deadlines while maintaining their creativity and passion for high-quality results.
RT Extreme
RT Extreme leverages the strengths of Mac OS X and the
PowerPC G5 processor to support a scalable number of
video streams and real-time effects with fully synchronized
output to a broadcast monitor for DV and fully
uncompressed SD projects.
But the RT Extreme engine really comes into its own when
you use a dual-processor Power Mac G5 system — which
handles up to seven streams of uncompressed SD video. That’s
because the number of simultaneous real-time video streams
and effects scale with processor performance, delivering
greater power and speed as your processing resources increase.
And new real-time modes allow you to choose full-resolution
output for finishing or real-time preview for maximum
simultaneous streams. Final Cut Pro 4’s enhanced multi-
stream real-time effects now include output to a NTSC/PAL
broadcast monitor for more accurate, real-time previews.
Real-time Effects
Playback and Software Effects
Final Cut Pro 4 gives you innovative features like real-time effects
playback, a high-capacity offline format for seamless offline-to-online
workflow, and powerful finishing capabilities like advanced color
correctors.
Final Cut Pro 4’s software-based, real-time effects let you explore
“what-if” scenarios — to switch effects on a whim — without
having to render them. So you can check out what a scene would
look like if you used, for example, a Ripple-Dissolve instead of a
Cross-Dissolve in real time.
Use varying combinations of real-time effects and still have real-time
playback, depending on the speed and number of processors in your
computer. Each effects operation you apply to a clip makes varying
demands on the processing capabilities of your G5 depending on the
effect. (When the total processing demands of all combined effects
exceed your systems capabilities you’ll have to render them.
The Emmy Award-Winning Tool for Editing and Finishing
in DV, SD and HD Formats
Final Cut Pro (FCP) 4 is a scalable digital nonlinear editing system built on a res-
olution-independent architecture. From the innovative OfflineRT and DV, up to
uncompressed 10-bit 601 or HD, Final Cut Pro 4 is perfect for editing and finish-
ing a wide variety of programs at virtually any resolution or frame rate. Pros will
appreciate the rich editing tools — including support for asymmetric trimming —
and customization features such as fully customizable keyboards and workspace
layouts. RT Extreme, a sophisticated multi-stream real-time architecture , sup-
ports an increased number of video streams and effects. Multi-track audio mixing,
multi-channel output and real-time audio effects enhance NLE-based audio edit-
ing. FCP4 includes two additional creative tools: LiveType, a broadcast-quality
title generator, and Soundtrack, an intuitive tool for creating musical scores.
Uncompromising image quality, sample-accurate A/V synchronization and cor-
rective finishing tools make FCP4 ideal for SD and HD broadcast applications.
Apples SD and HD finishing formats let online editors work with 10-bit uncompressed video, composite elements and ren-
der effects with incredible clarity and precision using HDR imaging to render video using an amazing 32-bits per channel.
XML interchange format —a new, standards-based composition and metadata interchange format, bridges the gap between
disparate edit systems and customized post-production workflows. XML interchange format, AAF support and the ubiquity
of QuickTime across professional applications give FCP4 the flexibility to fit into any production pipeline. Enhanced EDL
support and FXScript — a visual effects scripting language — make Final Cut Pro 4 the most extensible NLE available.
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