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EMAGIC

LOGIC PRO 6

continued

VIDEO & AUDIO EDITING

264

www.bhphotovideo.com

PHOTO - VIDEO - PRO AUDIO

Space Designer (Reverb)

Featuring a real-time convolution process, it

is now possible to produce a reverb in Logic

that is virtually indistinguishable from that

of a real room or hall. Using a real-time cal-

culation process, Space Designer merges the

input signal with a reverberation sample -

the impulse response (IR) - taken from any

acoustic space such as, for example, a room,

hall, or cathedral. The result sounds as if the

input signal had actually been recorded

directly in the sampled room. The reverb can

be further shaped using Designer’s compre-

hensive parameter set. Ships with a library of

over 1,000 impulse responses. These include

real rooms and halls, as well as legendary

classic and contemporary reverb units. In

addition, you can always record your own

impulse responses.

The ability to create and edit your own cus-

tom convolution reverbs sets Space Designer

apart. In addition to the sampled reverbs,

Space Designer uses a unique reverberation

method that features specially designed

envelopes to create high-quality synthetic

reverbs. The results are dense and smooth

reverbs that complement your mix without

the need to extensively boost effects levels.

EVOC20 (Filter and Vocoder)

The EVOC20 package provides three powerful tools for sound design: A classic polyphonic

vocoder with built-in synthesizer, a formant filter bank, and a pitch tracking vocoder. Each plug-

in provides maximum flexibility and features pristine 32-bit sound quality.

Tape Delay

This delay recognizes the tempo of Logic. Just click on the sync button and the echo fits the

beat. The Groove slider offers smooth switching between triplet and dotted notes (this corre-

sponds to Logic’s Swing parameter). Delay time can also be modulated with an LFO as well.

Stereo Delay

The Stereo Delay offers similar controller features to the Tape Delay, although tape saturation is

missing, to optimize CPU-efficiency. The feedback level is separately controllable for each stereo

channel, and is rounded out with a separately controllable cross feedback level. As a result,

interesting rhythmic structures can be easily created.

Distortion2 (EVB3)

Emagic’s EVB3 also benefits from the included Distortion2 plug-in. Selection “type” offers three

different simulations of tube amplifiers: a Leslie 122, a classical guitar amplifier and an amplifi-

er with a more aggressive sound character, for drastic distortion effects.

Dynamics

• Compressor • Expander • Noise Gate • Enve

loper • De-Esser • Multipressor • Limiter

Channel EQ

Perfect EQ-ing has never been so easy, intuitive, precise and efficient. The Channel EQ seam-

lessly unites two tools in one plug-in. In addition, it is possible to see a thumbnail view of the

Channel EQ displayed in the upper corner of a channel strip.

Modulation

• Modulation Delay • Phaser • Tremolo • Ensemble • Rotor Cabinet (EVB3)

• Spreader • Scanner Vibrato (EVB3)

Special

• Spectral Gate • Pitch Shifter • SubBass • Denoiser • Exciter • Stereo Spread

Sound Processing

Given the dramatic increase in computer processing over the past few years, the potential - and reality - of digital sound processing has devel-

oped at a staggering rate. This “native” sound processing - calculated directly on the computer processor(s) - substitutes the use of external

DSP’s (Digital Signal Processors) and effect devices. Logic Pro 6 delivers over 50 realtime effect plug-ins, allowing for the most innovative

audio processing. The basic technical specifications - 32-bit floating point mathematics and support of audio resolutions up to 24-bit/192

kHz - ensure uncompromising sound quality.

The included plug-ins are precision tools for sound processing. offering a straight forward interface that enables the user to conceptualize and

realize any sound design visions with the minimum of fuss. The intuitive, ergonomic interface and professionally-oriented feature set of the

plug-ins is the result of the Emagic’s extensive studio experience and the active exchange of knowledge with countless users. A multitude of

forward looking functions have been implemented, with many going far beyond the feature sets and ideas of traditional plug-in concepts.

In addition to the built-in effect system, Digidesign’s TDM system for ProTools hardware is completely supported, including surround.

Depending on the configuration, up to 64 audio tracks and 64 busses are available. TDM plug-ins from all major developers can be used and

fully automated. I/O inserts even allow the integration of external audio effect processors.

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