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APPLE

FINAL CUT PRO 4

Intelligent Codecs

Final Cut Pro 4 ships with a wide range of codecs, including 8- and 10-bit uncompressed YUV

(4:2:2) SD and HD codecs, native support for Panasonic DVCPRO50, 50Mb/s 4:2:2 video over

FireWire, and a newly optimized, high-quality MPEG-2 codec for encoding and distribution.

This lets you capture, play back and output different formats of digital video in a variety of

compressed or uncompressed formats.

When you start editing with Final Cut Pro 4, you’ll need to choose the codec that clips in your

edited sequence use. For instance, if you’re editing material captured from an NTSC DV

camcorder, you’ll need to select the DV-NTSC codec. Just be assured that whatever type of codec

you need to work with, Final Cut Pro comes with a wide range of them:

Codecs include, DVCPRO50 DV-NTSC and DV-PAL, OfflineRT using PhotoJPEG, Apple

M-JPEG , JPEG and Animation.

VIDEO & AUDIO EDITING

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PHOTO - VIDEO - PRO AUDIO

ORDER & INFO. (212) 444-5010 • FAX: (212) 239-7770 (800) 947-7008

1-800-947-5525 • www.bhphotovideo.com

◆ Supports independent filmmaker by pro-

viding affordable tools for finishing on

film while editing digitally. Now with

support for ink numbers and change lists,

bigger-budget productions can use Final

Cut Pro 4.

◆ Adds support to the HD off-line and

finishing work flow in Final Cut Pro.

◆ Sudio-produced films go through multiple

versions and screenings in post-production.

If screenings are done from work-print, the

work-print reels need to be re-conformed

as changes are made to the digitally edited

sequences. Change List feature makes it

easy to generate a list of instructions for

conforming a work-print reel from any one

version of a sequence to any other version

of that sequence.

◆ Supports 35mm (3- and 4-perf) and 16mm

film formats

◆ 24-fps EDL I/O

◆ 24-fps EDL conversion to/from 29.97 fps

◆ Import ALE, ATN, FLX, and FTL files,

export ALE files, import/export Final Cut

Pro batch lists

◆ Track key numbers, ink numbers, video and

audio timecode

◆ Output following lists: Cut, Change,

Optical, Pull, Dupe, Missing elements,

Audio EDL

◆ Link media to database

◆ Poster frame capability

◆ Conform clips to specified frame rate

◆ Reverse telecine function

Cinema Tools—Advanced Tools for Film and 24P HD Video

A database that tracks the relationship between your original film and sound with its digitized

counterpart in Final Cut Pro 4, Cinema Tools provides the vital link between your original film

negative and your digital video edits.

Check out our complete

Final Cut Pro 4 Turnkey Solutions

Color Correction

◆ Color correction is one of the last steps in

the post-production workflow. If making

sure that peoples’ flesh tones on tape look

quite the same as they do in real life isn’t

enough of a challenge, wait till you

encounter the trickier aspects of lighting.

◆ To ensure that flesh tones look the way

they do in real life, Final Cut Pro 4’s color

correction filters let you fix imbalances in

lighting by adjusting the color balance,

black levels, mids and white levels of each

individual clip in your project. That way all

of the different clips that make up a scene

can be balanced to match one another, so

they all look as if they’re happening at the

same time, in the same place, with the

same lighting.

Compressor (MPEG-2 Encoder)

◆ Compressor is designed to ensure that the

highest possible quality is maintained

when encoding projects from Final Cut Pro

4 into MPEG-2 for DVD authoring .

◆ Compressor can also be used as an inte-

grated part of your Final Cut Pro 4-to-

DVD Studio Pro 2 workflow. This means

that you don’t need to create an intermedi-

ate file to be encoded by another applica-

tion. And that means that you save time

(because no export time is required), save

hard disk space (since extra disk space for a

intermediate file is no longer required),

and get pristine-quality video (since you’ll

be avoiding the generational loss that

occurs when exporting to another file).

Media Management

◆ Final Cut Pro 4 uses XML interchange for-

mat technology to give you an unprece-

dented level of control over integration

with other nonlinear editing systems and

production workflows through the inter-

change of project, bin, sequence, clip,

metadata and media data information.

◆ The new interchange format for exchang-

ing content with other nonlinear editing

systems, asset management systems and

broadcast servers, XML interchange format

describes every aspect of a program from

edits and transitions to effects, color cor-

rection settings, and keyframe data

All turnkey systems include:

◆

Final Cut Pro 4

◆

Final Cut Advanced

Training DVD

◆

Contour Design

Shuttle Pro II

◆

Logic Dedicated

Keyboard

◆

One or two Lacie 19˝

Electron Blue IV Monitor

◆

3-Year Apple Care

Warranty

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Ulead PYRO1394DV Especificaciones Pagina 20

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