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MOTU

DIGITAL PERFORMER

continued

VIDEO & AUDIO EDITING

269

PHOTO - VIDEO - PRO AUDIO

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Automatic Audio Conversion

◆ DP can automatically convert audio data

wherever necessary to conform to the cur-

rent project's sample rate, sample format

and tempo. This greatly streamlines the

process of importing audio quickly into

your projects.

◆ Automatic conversion options include:

❧ Automatic sample format and sample

rate conversion when importing audio

❧ Automatic time-stretching of audio

when placing soundbites into a track

❧ Automatic time-stretching of audio

when the tempo is changed

❧ Automatic placement of imported audio

files in a pre-designated folder, regardless

of if format conversion took place or not

Acid File Import

◆ Acid WAV files can be imported using

standard drag and drop. If the Acid file has

a tempo and automatic tempo conversion

is enabled, it will automatically conform to

the sequence tempo when placed in a

track.

◆ REX 2 file import allows you to conform

Recycled audio files to your DP sessions

tempo

◆ ReWire support allows you to integrate

outputs from Propellerheads’ ReBirth and

Reason applications into DP

◆ Import and export SDII. Aiff and .Wav files

Automation

◆ Everything in the mixing environment can

be automated in real time, including effects

parameters, track mutes/solos, effects

bypassing, send levels, send mutes

◆ Automation can be recorded during

playback, or you can draw and edit

parameters in the audio graphic editor

◆ Support for three types of automation

data: ramps, stare-step, one-shot (such as

waveform type - sine, square, etc.)

◆ Automation data is always displayed using

real-world values such as decibels and

milliseconds

◆ Mute and Solo automation allows you to

bring tracks in and out of the mix in real

time as you listen

◆ Save your fully automated mixdown for

instant recall at any time, and then

create an unlimited number of alternate

mixdowns

◆ Using beat/tempo based automation you

can control plug-in effects to move in

perfect time with your music, from LFO

synchronization to filter sweeps that land

on downbeats to multitap delays that

create syncopated rhythms

◆ Sample-accurate 32-bit floating ramp

automation insures smooth automation

movements without unwanted artifacts or

zipper noise

◆ Five advanced automation modes allow

you to: Modify automation data you’ve

already recorded; Scale values up or down

while maintaining its current contour;

Overwrite automation that’s already there -

but only after you punch in

◆ Effects automation can be controlled in

realtime via MIDI allowing you to add

seemingly complex sound design

elements, such as sequenced filtering

effects in minutes

◆ Effortlessly create fader automation groups

with any fader as the master

◆ Support for control surfaces including

Mackie Control, Mackie HUI, CM Labs

MotorMix, Radikal Technologies SAC-2.2

and more

Time Compression/Expansion

◆ PureDSP (time compression/expansion)

functions provide high quality, independent

control over the duration and pitch of

audio files allowing you to conform the

tempo of drum loops to your project and

add vocal harmonies or gender-bend

effects to vocal tracks

◆ Both PureDSP and off-line audio

processing occurs in the background so

you can continue working

◆ The graphic time-stretching function

allows you to grab the edge of a soundbite

with the hand cursor and stretch it longer

or shorter.

Sampler Integration

◆ The Samplers window lets you transfer

samples between your project, supported

sampler and the Mac’s desktop (hard

drive) via SCSI using simple drag and drop

◆ Imported samples are automatically

converted into Sound Designer II files

and back to the sampler’s format when

exported

◆ Using the integrated waveform editor, you

can define a region of audio from your

project, edit it, trim the edges with sample

level precision, specify loop points, nor-

malize, fade in & fade out and send it to

your sampler - without ever leaving DP

◆ POLAR is a unique, interactive,

RAM-based loop recording environ-

ment that allows you to layer multiple

passes of audio (limited only to the

amount of available RAM) without

having to stop recording.

◆ Use POLAR to layer vocal harmonies;

generate mesmerizing polyrhythms;

build an entire song or just plain jam.

◆ When going for that ‘perfect take’

POLAR can mute the previous take

for you automatically so you can

concentrate on the music not on

playing engineer.

◆ Because POLAR records audio directly to RAM, you can overdub on the fly without

affecting your disk tracks.

POLAR

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