EMAGIC
LOGIC PRO 6
continued
Sound Generation
One of the aspects that makes Logic Pro 6 a unique music and audio production system is the comprehensive collection of software
instruments that it includes. All of the instruments offer the same level of pristine sound quality, achieved through the use of 32-bit
internal processing. The utilization of modern technologies, such as component modeling algorithms, are the basis for calculating the
most complex of sounds - in real time!
A delightful side-effect of this uncompromising stance towards the technology is the brilliant responsiveness of the instruments, with
even the smallest nuances in playing style being reflected sonically. The exclusive selection of instruments offered by Logic Pro 6
features; a software sampler, synthesizer and virtual counterparts of vintage keyboards, including the Hammond B3 Organ and
Hohner D6 Clavinet. The seamless integration of these instruments into Logic Pro 6 guarantees optimal handling and processing, no
matter where you wish to use the system - on stage or in the studio. You can even use it while travelling - on your PowerBook!
The instruments are easily inserted into an audio instrument channel strip of the Logic Mixer. The integrated track-based
automation system of Logic Pro 6 allows you to graphically display and edit the parameters of the instruments, and if you have a
hardware controller, these parameters can be adjusted and recorded as well.
VIDEO & AUDIO EDITING
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EQUIPMENT LEASING AVAILABLE
EXS24 mk II Software Sampler
The EXS24 mk II software sampler is the standard amongst Logic-
based musicians and producers. Easily and quickly incorporate sample-
based sounds into your productions - with uncompromised sound
quality of up to 24-bit/192 kHz resolution! It also offers outstanding
support for a wide range of sample library formats, including: EXS24
native, Akai, GigaSampler, SampleCell II, SoundFont2 and REX2,
providing you with access to a huge number of sound libraries. The
EXS24 mk II allows the use of huge sample libraries, as memory is only
limited by the computer’s RAM or hard disk capacity.
◆ The EXS24 mk II is a reliable and productive partner in every studio,
featuring; sample-accurate timing, total recall and an intuitive operating
concept. If desired, up to 16 individual outputs can be addressed, allowing
further processing of EXS24 mk II sounds with Logic Pro’s extensive range
of effect plug-ins.
◆ The modulation matrix, borrowed from the ES2 synthesizer, provides
comprehensive routing possibilities, allowing countless creative sound
processing options. Sources include: the three LFOs, the two snappy
envelopes, any MIDI-Controller, or the level of the sidechain input can be
routed to Sample Select, Sample Start, Pitch, Glide, Volume, Pan, envelope
times, parameters of LFOs or filters.
◆ A excellent sounding multi-mode filter completes the feature set, provid-
ing adjustable slopes, variable filter overdrive amount, and a fatness circuit
that ensures excellent low frequency response, even at high resonance set-
tings.
◆ Additionally, Logic Pro’s ESB TDM allows the direct insertion of up to 32
instances of Emagic’s Xtreme Sampler 24 Bit into the Aux channels of
Logic's TDM mixer. The stereo output signals of each EXS24 instance can
be treated via any of the processing options afforded by the TDM DSP
environment, such as TDM plug-ins.
◆ Each EXS24 TDM is calculated by the host CPU, and places no overhead
on the TDM DSPs. The MIDI performances of each EXS24 TDM instance
are recorded on TDM Auxiliary tracks, and are controlled directly in
Logic Platinum. This eliminates the need for OMS, thereby providing the
benefit of sample-accurate playback for all instances of the EXS24 TDM.
ES1 Software Synthesizer
The ES1 has the
heart of many
classic analog
favorites, and
includes all of the
details and
facilities that fans
of this type of sound generation know and love. It is
rich with character, and elegantly combines 30 years of
synthesizer history for the Logic platform.
Offering up to 16 voice polyphony, every ES1 voice features
a main and sub-oscillator delivering the raw sonic material
shaped by the analog ES1 filter. Each oscillator features a
set of “classic” waveforms including triangle, sawtooth and
variable pulse. The sub-oscillator, with its own five
waveforms, operates one or two octaves below the main
oscillator adding a solid bass fundament. Additionally the
suboscillator provides a noise source and an input for an
external audio signal allowing audio tracks to be processed
with rhythmically changing filter movements.
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